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In the "Meadow in the end of forest" the entire absence of human form is characteristic. Only two sheeps graze in the depth of composition that is chromatically based on the thin gradations of green. Work as this they justify the crisis of Dimitri [Papastamoy] for the painter: "? it followed genuine [ypaithrismo] that attributed the objectivity and the reality of expression with his, come out from the delivery of place "popular" way".
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