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In this seascape the whole front level is occupied by the fluid element while the boats are pushed further is and are scattered among the levels that the sea and the very low horizon form.All the elements of the composition become a whole due to a blue grey shade.This almost unified chromatic synthesis is broken apart only by the mid zone of the golden light which makes the lines of the boats sharper and contributres generaly to the poetic mood of the specific afternoon time.The formal process is of impressionistic type while the themes are drawn with small sharp strokes which allow the abrupt penetration of tones
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