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Lines of thin firs in party are extended by the first level up to the depth, covering the entire painting surface.Any supplementary subject is absent and the interest is focused on, as much as possible, on the most accurate attribution of the aspect of the trees, their uniformity and particularity of their leafage .As we advance to the depth the green shows denser in combination with the thin ramifications of the first level.Among them slightly emerges the faint ridge of a mountain, while the ground, in tones of light green, is in contrast with the general predominance of dark tones in thepainting.
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